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All music and noises © Copyright Paul A. Williams aka Elwood Herring - Please read these notes before downloading
Right-click on the links on the left, select "Save" and make a cuppa while you're waiting!
= Full MP3 (BIG file),
= short MP3 clip,
= MIDI file (Instant music!)
NOTE ON PLAYING MIDI FILES: All my MIDI works are meant to be played using the standard Microsoft GS Wavetable. Usage of any other wavetable will give unintended results. By all means experiment if you have the capability, but please be aware that what you end up with will not be what I intended!
Also, some MIDI files played on Winamp before version 5.3 will not play correctly. If you use Winamp, please upgrade to the latest version (5.3 or above).
Greatest Hits
CD
©Yr
Mins
Description & comments

78:00
All my best bits on one CD - almost too good to be true! Seriously though, this is a good introduction to my scattershot style of composition. The tracks vary occasionally on this CD, as I keep changing my mind as to what to include and what to leave out, which paves the way for collectors to hunt down rare versions when I become mega-famous!
The Hitch-Hiker Suite
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1986
8:16
Fast-moving sequenced synth pieces done on the Yamaha CX5M computer. It sounds great but was very time-consuming to do on primitive MIDI equipment. NOTE 1: Any resemblance to "Steel Monkey" by Jethro Tull is entirely coincidental. (I wrote mine first!) NOTE 2: Part 2 had a 'scratch' vocal track added for inclusion on the "Interface" album. (MIDI versions made in 2003 - not as good as the originals, though!)
Upandunder Overture
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1979
4:13
My first synthesiser piece - short and sweet, and a bit naive. I still like the tune, and refer to it occasionally in other works. The title is a reference to Eddie Waring of "It's a Knockout" fame, whose catchphrase was "Up and under!" (This is a MIDI remake of the original, made in 2003)
Apatcheye
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1981
2:58 The wierdest music ever committed to CD? ("Walkin' down de middle o' de road wi' me shoes on...") Never mind what it all means, just listen to the sound quality - turn it up loud and sod the neighbours; in fact why not invite them round and have a party? Just make sure you invite me!
The Last Herring
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1983
3:57 Which it was - the last Red Herring piece and the first Interface one. Quitars by "Ten Quid Ponn"
One More Lie
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1984
6:07 A dark sinister-sounding piece, with guest vocals by Spooky the cat. Can you work out what it all means?
November
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1984
7:41 The longest, most complex song I have written - my "Bohemian Rhapsody" or "MacArthur Park"!
Childhood's End
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1983
4:40
This is the final piece of the whole hour-long suite. (Nothing to do with the Pink Floyd song of the same name.) Poignant and nostalgic, re-using the bass line from the opening piece.
The Pizza Car Toe-Rag
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2002
6:32
The Herringbone Rag arranged for pizzicato & legato strings. Now that's more like it! (This became the basis of the scherzo of my 4th Symphony.)
Fade Out
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1981
7:37 One of my favourite guitar improvisations, accompanied by Mr. Weaklark on organ.
Pavanne
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1984
4:41 Written as an elegy for a girl who was tragically knocked down and killed on a zebra crossing.
Chinese Cheesecake
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1979
4:14
A wierd musical "perpetuum mobile" which doesn't let up for a second. (This is a MIDI remake of the original, made in 2003)
Life Cycle
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1982
3:40 My favourite of all these songs. If you play nothing else, please play this one. A farewell lament to a woman, a country and a life in three nostalgic verses. This is also included on the Red Herring CD. Can you spot the famous tune which I pinched the chord sequence from?
Electronic
Intermezzo no.3 ![]()
2002
7:33
Abstract synth piece made on the Waldorf, but sounding remarkably similar in style to the first two intermezzos I created in 1986 using a completely different setup (see below). Seems I haven't lost my touch! You either love this sort of thing or not; I happen to like abstract music when it's done well like I hope I have done here.
Break
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1979
5:07 A laid-back bluesy piece, where I multi-tracked myself humming and pratting about in the background. Plus an accidental but perfectly-timed burp!
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